press:
In Review Online, “Crossroads Film Festival 2025: We Become Traces in History,” Alex Fields
Short Film Studies, Vo 13, “Textures of ecology: A flat ontology of things in Zachary Epcar’s Return to Forms,” Ahmet Emin Bülbül
Expanded Nature: Ecologies of Experimental Cinema, Light Cone Editions, “Plonger dans le grand bain, pour renouveler et étendre nos perceptions,” Vincent Deville
Millennium Film Journal, No. 75, “Currents,” Kim Knowles
MUBI Notebook, “Collective Records: New York Film Festival's Currents,” Emma Piper-Burket
ALT/KINO, “Highlights from 25FPS 2021,” Patrick Gamble
Cinema Scope, “Pleasurable Surfaces: The Films of Zachary Epcar,” Phil Coldiron
Desistfilm, “TIFF 2019 - Wavelengths: Book of Hours y Billy,” José Sarmiento Hinojosa
Hyperallergic, “The Best Experimental Shorts at the Toronto International Film Festival,” Ela Bittencourt
Filmmaker Magazine, “Wavelengths 2019, Program 4: Full Circle,” Phil Coldiron
Triangle House, “My Summer of Crisis, Trisha Low
Film Threat, “Life After Love,” Matthew Roe
L'emergere del possibile, “Life After Love,” Francesca Rusalen & Francesco Cazzin
Chicago Reader, “The Onion City Film Festival conveys the disorientation of living in an era of great change,” Ben Sachs
MUBI Notebook, “Welcome to the Other Resistance: The Year in Experimental Film,” Michael Sicinski
The Film Comment Podcast, “NYFF56 Projections,” Nellie Killian, Nicolas Rapold, Becca Voelcker
KQED, “Five Must-See Experimental Films at This Year’s CROSSROADS,” Max Goldberg
MUBI Notebook, “Three Days in May: San Francisco's Crossroads Festival 2017,” Michael Sicinski
San Francisco Arts Quarterly, “Frames of Mind: Crossroads 2015,” Max Goldberg
MUBI Notebook, “NYFF 2014 First Projections,” Daniel Kasman
Mirrored Screens, “EIFF 2014 - Day 10,” Pedro Vaz Simões
Sight & Sound, “Brain-Benders of the Black Box,” Harriet Warman